Harmonization of Arabesque and Javanese Aesthetics in the Interior Ornaments of the Syech Zayed Mosque in Surakarta, Indonesia
Slamet Supriyadi, Adam Wahida, Nanang Yulianto, Esterica Yuninati, & Endri Sintiana Murni
Abstract
The Sheikh Zayed Mosque in Surakarta is one of the icons of contemporary Islamic architecture in Indonesia, representing the intersection of Middle Eastern and local Nusantara cultures. Despite adopting the architectural concept of the Sheikh Zayed Mosque in Abu Dhabi, the mosque incorporates different local elements into its decorative elements and interior ornamentation. This study analyze the shape of harmony between Arabesque aesthetics as the key feature of Islamic decorative art and local Javanese values present in the mosque's interior ornaments. The study employed a descriptive qualitative method, as well as aesthetic and visual cultural studies. Data were collected by observation, documentation, literature studies, and visual analysis, with purposive sampling used for observation approaches. To validate the data, triangulation techniques and informant reviews were used. The approach applied was an interactive analysis technique. The findings show that the interior ornaments of the Sheikh Zayed Mosque in Surakarta combine Arabesque geometric patterns, calligraphy, and floral motifs with visual elements similar to traditional Javanese motifs such as kawung, plant tendrils, and the principle of visual balance that distinguishes Javanese aesthetics. This combination creates a harmonious visual identity and reflects the process of cultural acculturation, strengthening universal values of Islam without sacrificing local identity.
Keywords:
Harmonization, Interior Ornaments, Arabesque Ornaments, Javanese Ornaments, Zayed Mosque, Surakarta, Indonesia.